Showing posts with label genre series. Show all posts
Showing posts with label genre series. Show all posts

Wednesday, December 16, 2009

Genre Series: Chickens and Mixed Drinks




HUMOR





Taco Time. God help us all.

Alice: Do you know why they asked us to write an article about humor?

Nina: No, I don’t.

Alice: We have no sense of humor to speak of.

Nina: No, we are quite boring, although I do enjoy a good card game or two. Canasta, Bridge, you know. The classics.

Alice: As do I.
* Alice slips on a banana peel*

Nina: I guess we should talk about some general hilarities and merriment? Tis' the season and all that jazz.

Alice: I suppose, maybe something about the keystone cops?
*Alice hits Nina in the face with a pie*

Nina: Yes, I have heard people chuckling at those picture shows…maybe something about about physical humor and pratfalls?
*Nina lights a cigar, which blows up in her face*

Alice: Yes, I have heard people tell of unusual comedy skits and physical brands of humor.
*Alice sits on a freshly painted chair*

Nina: Once I even heard an amusing story about vaudeville acts that would base entire shows on such things.
*Nina's pants fall down*

Alice: *Alice steps on a rake and gets hit in the face*

So, we are actually going to attempt to discuss semi-seriously, and with as few dick jokes as possible the topic of Humor, and its place within the fandom. Sit back, relax, get some popcorn (or alcohol), and just fucking go with it. Speak for yourself Alice, I love a good dick...joke.

Alice


Banter-The Old Back And Forth:


I am a sucker for good banter. Great witty dialogue is so hard to find, and when you read it, you know you are reading gold. Take a look at one of my favorite scenes of banter perfection.



Jesus, that shit kills me. I am assuming you all clicked that scene and enjoyed it, and if you didn’t well then poop on you. There is a scene from D.I.D. that reminds me so much of this scene in particular, that rapid fire pacing, that back and forth that you know if it were happening live in front of you it would seem like you were watching a tennis match. Observe:

Jasper and Alice the Elf seemed to be having a private moment. They were staring at each other with such intensity I felt the need to look away. It kind of made me feel dirty, like walking in on someone having sex. What the hell is that all about?

Emmett thrust the paper in my face once more.

“Sign it,” he growled.

“Emmett, I can’t sign that. I’m a vet. I treat animals, not people.”

“According to her statement I am an animal, so sign the god damn paper.”

“I can’t.”

“You can.”

“Can’t.”

“Can.”

“Emmett, do you not see that I’m incapacitated at the moment?” I gestured with my free hand to the desk.

“Is your…wait…is your finger stuck? How the fuck did that happen?” he said while his shoulders were shaking with laughter.

“I heard that, Emmett!” Esme yelled from the hall.

“Fucking Christ,” Emmett muttered under his breath.

“He was hiding under his desk,” Rose interjected.

Emmett looked to her, then to me. His face was lit up like a kid on Christmas morning. “What the fuck were you hiding under your desk for, Edward?”

“Emmett! Quit saying ‘fuck’!”

“Sorry, Mom!” he yelled over his shoulder, his eyes never leaving my face. His grin grew wider. “Edward, what were you doing hiding under your desk?”

“I think he was hiding from me,” Rose said.


The scenes in this fic are hilarious, and I when I first read this scene I actually felt like I was there, watching this, eating popcorn and laughing my ass off.

I am also a big fan of when our Edwards and our Bellas meet, and while I do enjoy the love-at-first-sight scenario where they immediately know they will spend eternity together and never have to worry about birth control or hips cracking during sex, I really enjoy the ‘meet-cute- scenes that could actually happen. Especially when Bella can hold her own. And by hold her own I mean, well…just read this scene from The Cocky And The Cougar:

“Ah…we have a cougar in our midst, eh? Should I be concerned?” Edward chuckled, looking down at his beer, his long fingers again playing in the condensation on the glass.

Alice gasped and Rosalie chuckled along with Edward, but for an entirely different reason. “Oh, you’ve stepped in it now, friend.” I heard her mumble.

Edward seemed to sense the change of vibe amongst us. He looked sheepishly up from under his lashes. “What did I say?”

“What did you just imply?” I asked, turning a chilly glare in his direction.

Edward chuckled. “Ah…you don’t like being called a cougar?”

“Of course I do.” My voice dripped with sarcasm. “Why would I not love being compared to a predatory animal who crouches in the grass, only to jump out at poor, unsuspecting prey? Or, in this case - poor, unsuspecting men?”

Edward winked at me and grinned. “I’m not unsuspecting.”

“And I’m not jumping on you.”

Rosalie laughed out loud and Jasper seemed to be trying not to choke.

“Oh, come on.” Edward was still smiling, although I wasn’t. I truly wanted to smack that cocky grin right off of his mug. “I didn’t mean anything by it. It’s a compliment.”

“And yet, oddly, I do not feel complimented.”

“Again with the compliments, Edward?” Jasper asked as he shook his head. “I think you should just start trying to insult her. Maybe then it will come off as an actual compliment.”

“Besides,” Alice piped up, cheerily. “Everybody knows you don’t reach cougar status until the age of forty. Bella isn’t forty, yet.” Her eyes darted to me, as if she were unsure. “Are you, Bella?”

I almost punched her. Instead, I smiled, albeit tightly. “No, Alice. I am not forty.” I looked at Edward. “Yet.”

He grinned at me, obviously enjoying my discomfort. “Why are you so embarrassed about your age? Forty isn’t old.”

Now I didn’t know who I was going to punch first. But I wasn’t about to again deny being forty because putting me on the defensive was exactly what he wanted.

Fucking salesmen.

“I am not the least bit embarrassed about my age, Mr. Masen.”

He chuckled, interrupting me. “Ah. It’s ‘Mr. Masen’ now.”

I continued. “It’s just that now you’ve sort of made it a bone of contention with me.”
His eyes twinkled over at me. How the hell did he do that? “Stubbornly biting down on that bone, are you?”

I raised an eyebrow at him. “You betcha.”

Edward put his hands up in the air, in mock-surrender. “OK, OK. Please forgive me. I honestly meant no offense.”

I was sure he didn’t, just as I’m sure most people who use that stupid term don’t mean to cause offense. But they do. Who the hell decided to use that word in such a stupid context, anyway? I may have been single and thirty-eight years old, but in no way was I desperate enough for dates that I would have to pounce on some young lamb of a guy in an effort to get laid.

And as if I was out on the prowl to begin with. I simply came out to have drinks with my friends. Jasper and Edward were the ones who came prowling over to our table.
Granted, they may have been drawn in by the smell of drool emanating from our three mouths, but still.

I took a deep breath as Edward continued to gaze at me from beneath his eyelashes. “Fine,” I said, begrudgingly. “I’ll take your bone out from between my teeth.”

Everyone at the table burst out laughing and Edward shifted in his seat with a comical grimace on his face as he replied, “Um…thanks. I feel so much more comfortable now.”



Sigh. I would like to bite down on that bone myself…ahem. What I find most annoying sometimes in fics is when the monologue takes over, the long speech like way of communication that is not found anywhere in nature. No one talks like that, do they? So when I come across scenes where the conversation is concise and to the point, and especially when its funny as fuck, I am as happy as a little girl.

Say your dialogue out loud people, does it sound natural? If it doesn’t, rewrite it. And make me giggle please…

Here's another great scene of back and forth, I couldn’t resist...



I have such a hard-on for Cary Grant.

A Curious Turn Of Phrase:


Sometimes, even in the most angsty of fic, a moment can be lightened or enhanced with a little humor. And sometimes, it’s the smallest things that make me giggle. That happened once in college also with a gherkin sized schlong, but I digress.

I also find really strange shit funny, and it is usually curiously placed punctuation, or a weird grouping of words that make me bust out laughing and always remember it.

There is a line from Creature of Habit where Edward has purchased some things for Bella to make her feel more at home in his place. This is a serious scene, with serious implications, but there is one line in particular that cracks my shit up every time I read it. See if you can figure out which line it is:

I forced myself to wander back to my sorting, but I found myself watching him instead. He was so relaxed, happy. His face had always been smooth and perfect, but I knew now there had been an underlying anger and sadness. But now, since we’d been together, that had washed away. He was busy separating utensils, measuring spoons, and chopsticks (“For the Thai!” he exclaimed with glee). He was glorious and safe. He was exciting and carried the enthusiasm of a child. I felt a pull to Edward like I had never experienced before. And as much as I was content working side by side with him, there were still questions I had and answers I needed.


If you guessed “For the Thai!” you are correct sir! And not just the line, but the fact that she put a fucking exclamation point there, it cracks my up each time. I just get this mental picture of Edward each time, so excited about fucking Thai food he can’t even eat… love it.

Another great example of a few words that stay with me and make me giggle over and over again is this excerpt from How My Life Was Ruined In 14 Days. Once again, see if you can spot the phrase that kills me.

I had rescheduled my morning shower. I figured if I waited until the last moment to shave there would no chance of stubble. This presented more dilemmas because I didn’t know how much to shave. Below the knee, definitely. And under the arms. But were you supposed to shave your thighs? I’d never bothered before, but it hadn’t mattered to anyone but me.

I shaved the thighs. And once I was there, I couldn’t help thinking I should continue shaving. If I knew Edward’s opinion... but I didn’t. In the end I decided to trim down, but not get rid of it completely.


Oh man, it’s the thighs line. Not just that she is debating on whether or not to shave above the knee (which is comedy in itself, as we have all been there) but it’s the phrasing. “ I shaved THE thighs” is infinitely more funny than ‘I shaved MY thighs”. I love the little things, the details that make things funny. Real life is damn funny, and its these tiny moments, these strange little phrases that make me laugh and giggle endlessly.

Nina

Now while my illustrious cohort Auntie Taco (yes, my 2 year old calls her that) is a fan of the witty banter and comedic phrasing. I prefer the good ole' fashion slapstick comedy, dick and fart jokes and embarrassing scenes of hilarity. Yes, I am actually a 14 year-old boy. Fuck off.

Slapstick Comedy. A good old fashioned shot to the balls.


What is slapstick? How about this.

Getting slapped in the face with a hot dog, or wrestling in your boxers with your dad (who happens to be fabulously attractive but whatever) or getting a purse swung at your balls while you're trying to woo the new girl in town.
Yes, I did just reference my own shit but so what.

Finding humor in exaggerating physical conundrums is usually geared towards a younger audience, or men, but I digress. Having the mental age of 12 with the physical age of 27 (33) I enjoy men getting kicked in the balls, or slapped in the face. Or women having their hair yanked by cholas who street fight and scratch. But, physical violence to render pain isn't the only thing I find funny.

Situations such as getting your bird waxed like in Progress and comparing it to a team of fire ants attacking your lady business, that is a great visual right there. Ladies, it ain't that bad getting the old bidniss' stripped, but, it does make for some honest to goodness side splitting hilarity. A story like Progress is inherently funny on principal alone. Dude, he's a sleep humper. That's gold right the fuck there.

Humor for the sake of embarrassment



Reading and watching someone suffering through an embarrassing situation is wonderful to me. Yes, I'm terrible but you knew that. Having the cajoles to embarrass Edward Cullen? You're my new best friend.

Case in point. "So Much Cooler Online."

There are lots of Geekward fics. In some he's not too much of a tool and is easily redeemed with some new threads, a fancy haircut and contacts. Others he's beyond help. Then you've got the nice little mix of the two. In SMCO, he's a science teacher, a virgin and lives in his parents' basement. He's cute, of course, under the thick black frames and encyclopedic knowledge of all things Sc-fi. Yet, he's completely incapable of normal conversation with someone that has breasts.

“Yeah, and I’ve even got a light saber. I should show it to you sometime.”


She further humiliates him by describing his first Bella-centric wet dream only to have Esme walk in to view his tented bed sheet.

Sigh. I love embarrassed Edward.

It's a great antidote to cocky, over compensating assward, doucheward, slutward, terdward or whatever the hell other 'wards' there are to describe that characterization.

Vulgar, crass and just plain gross humor.



What makes for a story to be vulgar, crass or just plain gross? We'll start with shit.

Yes, the wonderful crackfictacular known as El Circo de Cullen. Ever wonder what happens when you've got nature dialing a number 2 when you're in a house full of vampires?

Classic cracktacular lines:

“Ssshh!” I hissed to my bowels.

Amidst the horror, my unintentional groan and the sound that ripped from my body had alerted the worst Cullen possible to my little situation.

“What the FUCK was that!?” Emmett bellowed from below.

“Oh my God, Bella!” Miss Ice-Queen-Rosalie just had to come up here didn’t she? “Did you seriously just take a massive dookie in Edward’s bathroom? Even when I was human I would have held it!”


This story is a lesson in both embarrassment and gross and crass humor. The best of all worlds. Hehehe.

In closing we'd like to impress upon you some parting words of wisdom. Ah, hell who the fuck are we kidding. The extent of the knowledge the two of us possess is epic levels of asshattery and the inability to stay serious for extended periods of time.

What we would like to tell you though is read comedy, support the people that take the chance to write it. The world is a sick fucking place, the least we can do is laugh at it and ourselves.

Life is too fucking short to not have a good time and laugh. Own that shit. Laugh at yourself and your friends and find humor in the things around you. If a guy is being a grade A douchebag in a bar hitting on chicks and using the cheesiest lines on the planet, pay attention to his lameness and then kick him in the junk.

Then write a fic about it and send it to me and Alice so we can wax poetic on how fucking funny you are.
Previous Genre Series Articles: Romance - Supernatural & Fantasy - Horror - Tragedy
Ninapolitan and Feathersmmmm are hetero taco life partners and the insane half of the Twigasm Podcast. They are funny ladies who write funny fic. Go read, laugh.

Thursday, December 10, 2009

Genre Series: Unhappily Ever After




TRAGEDY


By: Pastiche Pen


“There are only two tragedies in life: one is not getting what one wants, and the other is getting it.” —Oscar Wilde

I love tragedy.

The first tragedy that I ever really got into was Medea by Euripides. Medea is the wife of Jason, the great Greek hero who basically charmed Medea into betraying home and country so that she'd give up the bling (notably the Golden Fleece) and make him the most epic of all Greek heroes. You see, Medea thought she was getting an HEA when they rode off into the sunset. Unfortunately, after bearing two of Jason's children and having a few stretch marks, Jason decides that he deserves the pretty daughter of the king of Corinth.

No HEA.
Bye-bye, Medea.

Except that Medea has rage—rage so potent that it overwhelms everything. She sends Jason's new bride a poisoned dress that burns off her flesh. The king, trying to save his daughter, dies too. Then, so as to destroy everything wrought on her by him, Medea murders her own baby boys. So, yeah...

EVERYONE DIES!

Medea is a bad person. She has never been some innocent damsel (...betraying your family is not an oopsy act.)—but that's not really important. All of her acts of revenge—the infanticide—the regicide—are only as important as her motivation. Medea's raisone d'etre has been Jason—and when Jason betrays her...

What is paramount is her rage: Medea's rage is something that almost every person can relate to. It is the stab of betrayal that so maddeningly overwhelms everything else that we go insane with it. It's about emotion overwhelming logic and sympathy and all civilized tendencies to such an extreme that even when we as readers recoil, we also recognize that part of our personal horror comes from recognizing the same potential within our own person.

Aristotle called this catharsis. Cartharsis is the state in which "the human soul [] is purged of its excessive passions." A deep connection occurs with the reader/audience member and the story/play. This may involve hysterical sobbing, mute horror, or maniacal laughter on your part—but the point is that we enjoy tragedies because they make us feel intensely.

So, that's what I want to talk about—I'm not interested in Twilight stories that simply have unhappy endings—I'm interested in stories that rip my chest open and make feel. Tragedies, because of this requirement, I believe are much harder to write—you might note how Stephenie Meyer failed to even write an ounce of tragedy—because tragedies have to be about something more than the characters. Most tragedies involve some sort of moral dilemma. They're complex and interesting in order to provoke our souls.

Let's talk about our own Fandom. There are various big "features" of tragedy that seem to shape the general wave of tragic stories in our fandom:

POINT OF VIEW

One of the main facets of tragedy is point-of-view. For example, let's take Jacob Black—the one true and tragic hero. The Twilight series, if told from Jacob's point of view, could be told as a tragedy. You have this guy who saves this girl from depression, only to lose her to this obsessive love with this broody ole vampire. In the end, she dies—becoming one of them—and she didn't love him enough, so there was nothing he could do. Of course, Meyer gives Jacob an oddly-named HEA, but in doing so, she partially trivializes Jacob's role in the books. His gritty and real love for Bella is explained away by supernatural science and replaced by a glowy sharp-toothed bundle. But then again, Breaking Dawn is undeniably best read as a comedy.

For some good, tragic Jacob fic (big thanks to Stretch, whose fics should also be read), check out: Another great plot line for tragedy is the New Moon plot line. What happens if Edward really never came back? What happens if Edward decides to never change Bella? What if he decides that he'll die when she dies? The Truth About Juliet by luvcali76 - explores this.

WHERE THE STORY ENDS

Another defining aspect of tragic fics is where the story ends—it can make all the difference. Great Vexations by AngstGoddess0003 is a great example of this, because this not-so-little one-shot is the tale of Jasper's unrequited love for his best friend, Edward. What I love about this story is that it's closer to reality than almost any other slash tale. Most of the first-loves of gay men are probably people who are close to them—and who are most definitively not gay. Of course, in the long run, Jasper's life may not be a tragedy. He can find real love in the future—even if the present is a black fucking hole.

Next, in this category is Beautiful Beat—which cheers to my friend Americnxidiot—is a gorgeous written AU in which Renesmee is born as—not a half-vampire—but as a 100% human. The story is about sacrifice and humanity and life, and the end of it will surely have you in tears and possibly looking to cuddle an infant or two for simple comfort. Of note, though, for the Support Stacey Auction, there was an addition to the story in which Renesmee's eventual rediscovery of her parents occurs. We get a partial happily after. If you want the full thrust of the tragedy, stop at the end of the original story; however, if you want some petting and partial resolution (Time Heals All Wounds.) read on for the epilogue. I personally think I just liked ending it with a good cry—because I'm a masochist, apparently.

WHEN DEATH IS IRRELEVANT

It's the living and not the dying that is, after all, the point. MY FAVORITE sort of tragedy are ones in which we know the ending at the beginning, and yet we still need to figure out why. These tragedies are essentially mysteries. They are often morally-complex, involve soul-searching, and involve some desperate struggle that leads to a series of otherwise unthinkable events. Sleepers Awake (which I have started but not finished!) and We the Forgotten (currently on hiatus) fall into this gorgeous messy category. We learn first of impending (or recent) death, and then discover the consequences.

Other Tragic Stories to Read

Multi-Chaptered Fics
One-Shots

Previous Genre Series Articles: Romance - Supernatural & Fantasy - Horror
I want to give a special thanks to Stretch and the ladies at Edwardville for their help with compiling recs for this article. This article is not all-inclusive, because well, reading a ton of tragedy is just hard on the soul, even as it makes you feel more whole. So, please feel free to rec more. :-)

Tuesday, November 10, 2009

Genre Series: Fantastic Monsters and Supernatural Shine-Down



Supernatural & Fantasy

By: Starshinedown and HMonster4

Hey J: 2 questions for you:

1. Can I trade you an hour with Edward/Aengus, the Irish God of Love, for an hour with Garrett Marrs, the Roman God of War?

- H, I'll gladly trade an hour of Edward/Aengus for an hour of Garrett Marrs. Marrs is my new fanfic crush.

2. Spike or Angel?

- Ten years ago this week I drove down to Orlando, FL to see (read: stalk) James Marsters at Vulkon. But at this point in my life, I'm all about some Angel. You can have Spike.

- Hah! I'm a Riley girl. We are few and far between!

Ok, so we are being goofy, talking of mythic gods and Buffy the Vampire Slayer, but we got your attention while kicking off part three of the Genre series. We've heard from BrattyVamp and JessieCheesie on the Horror Genre, and from GallantCorkscrews regarding Romance. We meld the two and tweak it here with our take on the genre that started this infatuation for us all - Fantasy/Supernatural.

Let's take the Twilight Series out of the equation for a moment, and talk big picture. Fantasy/Supernatural stories blur the line between the world we live in and the one we dream about. Whether we are talking about a truly mythical place or a splice of every day life, fantasy/supernatural stories provide an escape from the day to day, mundane facets of life while giving voice to some of our greatest fears, hopes, and desires.

Joss Whedon, the man, the myth, the legend, is a great example of the fantasy/supernatural genre in modern application. Buffy the Vampire Slayer, Angel, Firefly, and The Dollhouse are all brilliant examples of the melding of supernatural themes (vampires, immortality, space travel, cannibals, and mind control). Buffy and Angel were both critical and popular successes while managing to wrap some really out there concepts (demons, slayers, and alternate dimensions) together with the typical everyday life of a teenager/adult (dating, friendships, college). We all felt empathy for Buffy, who had to learn how to balance her commitments to the world with her commitments to herself and her friends. While the things she had to deal with were out there, the issues were real, and not that far off what we live with every day. If Buffy can do it, we can too, right?

Twitter poll #1 - when you hear supernatural or fantasy, what do you think of in lit, ff, tv, etc?

  • Buffy /Angel
  • Supernatural (TV show)
  • Charmed

(Notice there is no Twilight in there? Hmmm.)

So why is it that we don't see more Fantasy or Supernatural in the Twilight Fan Fiction Universe? Granted, we have AU and Canon (vampires and werewolves), but of late, it seems like the AH world has taken over. A lot of it sources back to how people view the books. In a totally unscientific survey on live journal, I asked readers to classify Twilight into genre. The bulk of respondents chose romance with supernatural elements. The few that did classify it as Fantasy did so because they focused on the characters, not the relationships.

Not so surprising, those that did identify Twilight as a romance almost unanimously preferred AH. Hmm....

Oh - and for the record, both Amazon.com and Borders.com classify Twilight as Young Adult Fantasy. Yep, the genre that spawned the whole thing is probably one of the least read in the fandom.

I've often heard the Twilight series described as fantasy books for people who don't read fantasy (and Meyers' other novel, The Host, described as a science fiction book for people who don't like science fiction). Is it because the relationships between characters outshine the crazier/fantastical aspects of the plot for so many readers?

What is so compelling about Fantasy/Supernatural Genre?

"LOVE IT...that's why I read Twilight in the first place was because I heard the word vampire..."

I got hooked on genre fiction for the same reason I find fan fiction so much fun: because of the "what if" factor. What if the little bunny you bring home is really a vampire bunny? What if you walked through a wardrobe, and found yourself in a wholly different world? What if you could travel to the center of the Earth? What if a rhino escapes from the zoo and gobbles up your mum and dad? When I was younger, it was the stories that blended our reality with another--Bunnicula, Chronicles of Narnia, Journey to the Center of the Earth, James and the Giant Peach, etc., that got me going. From there I branched out to epic fantasies like The Hobbit, The Lord of the Rings, the DragonLance series, and The Wheel of Time. Let's not get into my love affair with the works of Robert A. Heinlein, Isaac Asimov, and Arthur C. Clarke. Or my movie/tv addiction to films and shows of these categories.

This is a running source of contention with a few RL friends. About the farthest I'll go into the fantasy realm is Marion Zimmer Bradley's Mists of Avalon or the old school legends (you should see my tattered copy of Bullfinch's Mythology from College). BUT if you are talking supernatural - sign me up. I love stories that mess with your head and make you wonder hmm...ghost stories, witches, vampires, post modern apocalyptic (which I guess starts to meld into fantasy) are all my kind of brain candy. To me, the genre dances just on the edge of what could be, and probably explains why I've read The Stand so many times I almost have it memorized. Supernatural pushes the envelope and challenges the status quo, often making you think about your own morals or treatment of social groups. Look at some of the classic works of Literature...The Picture of Dorian Grey, Frankenstein , Dracula; they are all supernatural stories with a morality tale hidden inside. The monster as a virtual boogeyman for narcisim, techonlogy, or sexuality. What a great way to play on the things that scare us in real life. I know I am mixing genres, but that is what sucked me into the remake of Battlestar Galactica on SyFy - it had science fiction, mythology and supernatural elements all swirled together acting as a proxy for religious and ethnic intolerance. It doesn't get more brilliant than that. And that's what sucked me into Wicked too (the book, not the musical).

I'm a die-hard geek when it comes to speculative fiction; I'll read or watch near about anything that isn't horror (and, heck, I love Lovecraft, and he's horror...so heh. I guess gore is what turns me off). I enjoy the epic fantasies but the stories/tv shows/movies that suck me in the most are just what you mention--the ones that dance on the edge of what could be. That's one of the reasons I love A Christmas Carol, Alice in Wonderland, and The Strange Case of Dr Jekyll and Mr Hyde. As a segue into the "what makes a good fantasy/supernatural story?" question, I think the reason the tales we've just mentioned from the 19th & early 20th centuries have stayed with us for a century or more is because of the morality tale hidden inside; the message, the kernel of universal truth, speaks to us regardless of the time it was written.

What Makes a Good Fantasy/Supernatural Story?

We've talked a bit about the potential this genre has to encourage us to examine both ourselves and the society we live in. What do I mean by that? A few examples: The attempts of Dr. Frankenstein's monster to make his way in our world shines a bright light on our (very human) cruelty to outsiders. A brutal, murderous Mr. Hyde comes to dominate the seemingly virtuous Dr. Jekyll--what does that say about our own human nature? The Pevensies grow past pretty sibling rivalry and learn the power of faith. Alice discovers, on the other side of the mirror, that the solutions to problems we encounter are not always cut and dry. Ebenezer Scrooge epitomizes the opportunity we have at redemption. For youth and beauty, Dorian Gray sacrifices his soul--is that a sacrifice you or I would be wiling to make? What is Bella really willing to sacrifice (herself? her memories? her family?) to have her fairy-tale ending with Edward? Dr. Frankenstein's monster, Louis & Lestat, Buffy & Angel, the characters of Battlestar Galactica, and the Cullens all prompt us to ask: What makes us "human"--what we are, or who we are?

Of course, a good fantasy/supernatural story isn't all social commentary or questions of morality. For me, what makes a compelling speculative fiction--a term I'm using as an umbrella to cover science fiction, fantasy, mythology, and the supernatural--are the same elements that make any story of any genre compelling. Characters I care about. Character growth. A timeless message. Entertainment value. A plot I can't figure out in the first two chapters (or, if it's a nice stock plot, the characters are awesome enough to retain my interest). A world order that intrigues me. Creativity. Tension. These are the elements that keep me reading and re-reading the classics we mention above as well as more modern works like Douglas Adams' Hitchhiker's Guide to the Galaxy , Madeleine L'Engle's A Wrinkle In Time, China Mi‚ville's Un Lun Dun (an EXCELLENT YA Fantasy novel, btw) and Margaret Atwood's A Handmaid's Tale.

Essential and somewhat unique to these genres: believability. Sounds crazy, no? We're talking unbelievable things: mythological beings like vampires, werewolves, gods and goddesses, creatures of faery, ghosts, robots, and whatever else an imagination can conceive of. Pop culture is full of us buying into unbelievable ideas because they are put together in such a way that yeah, we can buy what they're selling us. You can introduce supernatural or fantastical elements, or even entire worlds, if they have a grounding in things we understand, and adhere to rules that are, interally at least, consistent. Vampires living among us? Sure thing, as long as there is explanation as to how it happens and why the main population doesn't know about it (nevermind Sookie Stackhouse). Clark Kent really being an alien sent to Earth to escape the destruction of his home planet, and moonlighting as a costumed super hero? It's ok, as long as he remains someone we can relate to on a personal level, and his story is grounded in real life we "get" and understand. The more crazy the scenario, the more believable elements we need in the tale.

I'm sorry? Was I supposed to chime in here? You said Clark Kent and I was off looking at Smallville cast pics. Yeah, the heroes and protagonists In Fantasy/Supernatural tend to be easy on the eyes too.

But all joking/drooling aside, there is something to be said about the romantic nature of Fantasy/Supernatural stories. So often, a huge part of the story conflict is woven around love or sexuality, even in YA fiction such as Twilight and Harry Potter. The villain, mysterious and sexy. The hero, golden and beautiful. The loner, enigmatic yet strangely alluring. I could go on and on about the visceral appeal that this genre that holds over us. Good guy or bad guy, there is something there for everyone. Part of the fun is seeing the redemption or fall from grace, and how the character will respond as that transformation occurs. To me, that was part of the appeal of Bram Stoker's Dracula; beautifully flawed characters placed in scenarios completely out of this world. Whether you empathized with Jonathan, Quincey, Mina or even Dr. Seward, there was something compelling to tie you to that character and their evolution. The end reward and pay off was great, a frenetic ride that played on your emotions, and gave you a tangible, dare I say it, realistic culmination of the character's story. That, at root, is what this genre is all about - giving you characters you can are about and the opportunity to grow or die as they find their way through the most magical and mystical of events.

Fantasy/Supernatural and Twilight

So why is it, then, that most of the people polled don't consider Twilight Fantasy?

As stated so eloquently above, The Twilight Series (short of Breaking Dawn) and The Host delve into fantastical worlds, yet not so deep that we feel our eyes roll back in our head at the mention of foreign languages (Elvish or Mermish anyone?) We get glimpses of the truly supernatural facets (being changed, Alice's ability to read minds, Edward's telepathy), but it never really does more than skim the surface. What we see of the vampire world via the Volturri is one of politics and personalities, not hierarchy determined by age, sire and progeny, etc. It truly is vampire lite. But it is vampire, nonetheless.

Bella comments to herself more than once in the series that she's somehow found herself surrounded by creatures straight out of myth. We have not only vampires but a version of werewolves as well. As an ickle little human being introduced to these creatures that aren't supposed to exist, she (and we, the readers) learn the rules these creatures operate by. The introduction goes slowly, first learning about Edward and his family, and how they came into their vampirism, and how they live with it. We discover that there other vampires out there in the world, but they follow slightly different rules when it comes to interacting with the human population (that is to say, they treat humans like food, not beings deserving of respect). And then we learn there is a ruling body, the Voluturi , that enforces the few laws that govern this secret world of vampires.

But wait, there's more! Come New Moon, Bella has to learn something else about this crazy world of ours: werewolves exist. Maybe not exactly as legend dictates, but people turn into wolves! Here again we're along on Bella's learning journey as the rules by which the werewolves operate come to light. There is a hierarchy. There are very defined times when the La Push tribal members with the wolf gene come into their wolfiness, and they have rules they adhere to in their own dealings with the normal human population.

The biggest complaint, and where the individuals polled shift from Romance to Fantasy is with Breaking Dawn. Regardless of how you feel about Nessie, the rules changes with the fourth book, taking us further into the realm of fantastic. The largest issue (and complaint) was that the rules established in the previous three books were ignored or reworked to accomodate the introduction of that lovely little bundle of joy, Renesmee (sorry Nessie fans, I couldn't resist).

Regardless of how you feel about the fourth book in the series, I think we can all agree, the tone and the rules did change in Breaking Dawn, and with it, the author broke a cardinal rule of the Fantasy/Supernatural genre: follow the rules you create.

Our Fantasy/Supernatural Recommendations

Yes, you knew we'd get here. There aren't a ton in the Twilight Fandom, but we dug deep and polled wide to generate this list. We did get some interesting commentary along the way.

Twitter poll #2 if someone rec'd you a fic that was supernatural or fantasy, would you read it? Laugh? Run the other way? Why?

  • Probably not, just because I enjoy AH stories...
  • Be more likely to read it. I think it's a great place to take fic, try new ideas.
  • I love all kinds of fantasy stuff (books, tv, and movies), and would love to see more sup/fantasy fic out there!

Our request - dig into some of these great stories, and throw your preconceived notions out the window as you do. Counter to popular belief, there are some interesting, well written fantasy/supernatural stories out there. Depending on your level of comfort, the can vary from just a sprinkling of influence to full on fantasy worlds.



Complete


Aengus by Starshinedown

An entry in Jayeliwood's Sexy Eddie Contest! Bella goes abroad to do research for her upcoming novel. What will she discover while on her trip? All Human, lemon. Nominated at the Eddie Awards for Best Short Story.

Echoes of an Enigma by moon.witche

Bella is sent to live with a father she barely knows in a town she hasn't seen in years. There she sees HIM and nothing is ever the same again. Suddenly she cannot breathe or think or BE without him. And she doesn't know why. AU/AH

My Faun by #66CCCCheronpl

Once upon a time, Edward is a faun, and Bella is a human girl. They meet in a magical meadow and fall in love. Bella must make a choice in order to be with him, and only she knows when the time is right to make that choice. Sexy Edward contest one shot.

Relationship Advice, From One Monster to Another by Severely Lupine

Crossover with Harry Potter. Edward gets advice about Bella from a friend who went through a very similar situation.

The Mirrors by AdorableCullens

Teddy's secret and magical childhood is lost when a family heirloom is destroyed, changing his life forever. Now an adult, can Edward open himself back up to magic and love when he meets a beautiful - and hauntingly familiar - woman in real life?

Once Upon A Twilight One Shot Fairytale Contest C2


WIP

Ars Moriendi by Vanilla Doubleshot

Edward and Bella thought they would have forever. Instead, Edward is teaching Bella a ghostly lesson in ars moriendi... "the art of dying." AU; mixed POV; lemons; MCD at onset. Some mild/dream-state DubCon.

Echo by upthedownside

In 2127, the Volterra Corporation has more control than the government over the Allied Colonies. The time has come for the people to strike and take back their lives. Edward Cullen, code name Echo, is a soldier in that fight. M for sexuality & violence

Elemental by TalullahBelles

AU/AH: When the Swans return to their birthplace, Bella learns she is no ordinary teenager, and Forks is no ordinary town. Can she fulfill her destiny with the powerful Edward Cullen, or will the dark forces that threaten their families destroy them all?

My Love Shall Ever Live Young by Starshinedown

The sequel to Aengus, by popular demand! When the love of your life is a god who holds grudges like no one you've ever met and is eyeballs deep in mythological intrigue, a fairytale ending can be hard to reach. All human.Rated M for a reason!

Paved with Good Intentions by 4Jace

If you loved someone, how much would you be willing to sacrifice? Bella makes the most difficult decision of her life; now she has to live with the consequences. A Bella/Edward story.

The Fallout by OCD_Indeed

March 16, 2006, the world the Cullens knew...ended. What if Edward never made it back in time, and failed to protect the one human that only mattered to him? Nuclear War? The Cullens? Nope...not a crackfic. Dark & Angsty. NM-AU

The Fates by HMonster4 and Profmom72

An age old feud. Lives hang in the balance. All may be fair in love & war, but it's the weaving together & taking apart of individual threads that creates the tapestry of Edward & Bella's life. An AUH tale from the team that created Breakfast at Tiffany's.

The Price of Balance by averysubtlegift

Bella is a girl with a tragic past.The mysterious Edward sweeps in and seems to be balancing out some of the bad in her life.But can love really heal wounds,and what is the real price of balance? Will they be able to pay it? AU - Edward is not human or vamp.

Untouchable by The Romanticidal Edwardian

I have no idea how I survived that day. All I know is that no one ever touched my bare skin again for the next five years of my life." Bella befriends crazy Alice Brandon and meets Edward Masen, the guy living in her attic. Nothing will be the same. ExB.



Our Take

I'll admit that this genre take evolved as we worked from point A to point Z. With the evolution of the fandom, and the view of the books, we felt that it was important to talk about the core tenants of the Fantasy/Supernatural Genre and what it could be when applied to Twilight, and to fan fiction as a whole. Whether you prefer it lite or hardcore, fantasy or supernatural, there are some great stories out there for you, both online and in bookstores. We encourage you to take the time, and give some new stories a chance. A number of you did it with Twilight (don't look at the summary on the back, just read it! Does that sound familiar?), why not give another story a chance?


HMonster is the author of Deconstructing Dracula and a regular here at the Ficster. Check out her Collab series with ProfMom72. Starshinedown is the author of Aengus and other fine fics. Check 'em out!

Spread The Word