Showing posts with label Guest Blogger. Show all posts
Showing posts with label Guest Blogger. Show all posts

Saturday, April 10, 2010

Guest Essay: DameNellie in a Word or 2, or 2000...


SUMMARIZE
THIS

DameNellie



A few weeks ago, I embarked on my very first
fic dive for the Ficster. I'm usually a pretty lazy
reader and just read stories that have been
recommended to me. But I was excited about
discovering something new on my own. I mean, how
hard could it be to find one good canon fic? So
off I went to Fanfiction.net and I did a search
in Twilight fics for the term "canon." And it turns
out that there are 2,226 stories with the word 'canon'
in their summary.

Now, I was committed to my mission,
but there was no bloody way I was reading 2,226 stories to
find a good one. So when you can't rely on recs, you're
left with one thing - the story summary.

I'm sure it's obvious to readers and authors alike how important a good story summary can be. Even though I rely on recommendations most of the time, I still distinguish between fics primarily by their summary. And let's face it. There are a lot of bad summaries out there. A LOT. On my fic dive, I managed to dismiss the vast majority of stories based on their summary.

I was turned off straight away by anything with bad spelling, anything that said "I suck at summaries" and anything that mentioned Nessie (because I have an irrational hatred of her character. But that's a topic for another day). I did make me think about what it is about a summary that draws me to a story.

A few months ago, we were having a discussion about the story A Litany At Dusk at the Gazebo on LiveJournal. Some of the commenters in that post said that they weren't interested in the story because they didn't like the summary. It sparked a discussion about how difficult it can be for authors to write a good summary. The author of that story, the hugely talented Duskwatcher, weighed in on the debate saying:

"There is a reason why they don’t let movie directors make the film trailers or let authors pen the back cover "blurb." It is a different skill set, and I find everything sounds clichéd."

A lot of the authors I talked to for this story said similar things. All of them had struggled with their summary and a lot of them had changed them over the course of the story. Sometimes the story had changed direction from their original intention. Sometimes the tone differed as the story matured. Sometimes they just realized their original summary sucked.

For anyone who has read A Litany At Dusk, there is no doubt that Duskwatcher is a great writer. But she obviously struggled with summarizing such a complex story in only 255 characters. After the discussion about her summary, she decided to change it. Take a look at the two different summaries and see which one would have grabbed you more:

Original version:

Edward’s rebellious period didn’t last a few years; it lasted seventy. When he finally rejoins his family in Forks, he is dark, dangerous, despairing and desperate. Will Edward be willing to fight for her instead of fighting against her? AU-rated for lemons

New version:

Edward's been a solitary vampire, hunting on the edges of society. He rejoins his family in Forks, ready to abstain and runs across a young woman praying. A choice must be made between one's heart, one's desires and one's soul. Darkward ExB AU

Now, obviously I was drawn in by the original summary. But others thought the summary sounded melodramatic and clichéd. Some were put off by the mention of lemons, as this often indicates that the story will feature more sex than plot. However, the fact remained that people were being put off a well-written story because of a clichéd summary.

When I asked a bunch of people to give me examples of summaries that they really liked, one story that was mentioned again and again was Carpe Noctem & Fiat Lux by Queenofgrey:

Endless midnight brings about a desire for morning, a longing for something more. Dark & light. Push & pull. Crash & burn. When Edward collides with Bella, it's up to them to find the balance, if the night doesn't consume them first. AU"

From the summary, you immediately know that it's AU and it's about Edward & Bella. You also get a feeling for the tone of the story and you get a glimpse of the author's style It's vague enough to be intriguing while revealing enough to give the reader a sense of what the story might be about.

I remember reading the summary for Times New Roman by Kathy Rindhoops and knowing immediately that I wanted to read it:

University professor Edward Cullen is anything but cool: he’d rather read the dictionary than anything, he hasn’t had a girlfriend in years—and, he’s a pervert. Can new doctoral student Bella Swan bring him out of his slump? AH, AU, OOC."

It's not the sort of thing that would probably appeal to most readers. But it sounded like something straight up my alley. And that's now one of my favorite fics. Story summaries are as much about the particular taste and interests of your readers as anything else. When I asked people in the fic discussion communities what they looked for in a story summary, I got a huge range of responses. We're such a diverse fandom and we're all looking for something different. Some readers want to be reassured that their favorite characters will get together in the end. Others don't want to be spoiled and will be put off if you explicitly tell them about an HEA. So what the hell is an author to do?

Based on my own very unscientific research, I've gathered a few pointers for writing a story summary.

Know your audience

Choosing what to include in your summary depends on who you want your fic to appeal to. A lot of the readers I asked said that they are turned off my mentions of smut or lemons in a summary. But so many summaries include these terms. Why? Because a huge proportion of readers in this fandom are looking for smut. So putting these in your summary is likely to bag you a bunch of horny readers. But if you're not actually going to include a lot of smut in your story, you're just going to end up with a bunch of disgruntled, unsatisfied readers. It's better to be honest and attract readers who will actually be interested in what you're writing.



Give your readers the information they need

Is it canon? AU, AH? What are the pairings. What genre is it going to be? Is there anything unusual about your fic that would make it stand out?

Proofread your summary

Nothing puts off potential readers more than typos, bad grammar or text speak in your summary. It's only 255 characters so make sure you get every one of them right. Seriously, get someone to proofread it for you if you suck at grammar.

For the love of all that is holy, don't make excuses in your summary

Look, most people suck at summaries. Because they're bloody hard. But just get on with it. Whenever I see someone saying they suck at summaries, it doesn't give me a lot of faith in their writing. Nor will telling me that it's your first fic and it's not that good. Let your readers be the judge of that and just let your writing speak for itself.

Don't give away too much

This one is contentious because I know some readers want to avoid sad endings and like to be reassured that there'll be a HEA. But by doing so, you can ruin the sense of intrigue and put off a lot of readers. Fic diver extraordinaire, Emavalexis, said "I get that most Twific (particularly featuring canon couples) is by default going to result in a HEA. But I don't need an author's unnecessary (and unwelcome) reassurance of such in the summary." So think about how much you really want to give away to potential readers in your summary.

Include trigger warnings

You don't have to be specific or ruin your plot. You can have something as vague as "trigger warning" or "Contains scenes that may trigger." That way people who are sensitive about certain material can make the choice about whether or not to read your story. Sure, you may turn off some readers, but you're also being considerate of the fact that people are reading fanfic for entertainment and deserve to be warned about content that might upset them.

Show your style

Try and give readers a sense of the tone and/or style of your story. Including a quote can be a great way to give readers a taste.

Try to avoid clichés

I realize how hard it is to avoid clichés, especially when most fics are in the romance genre. But melodramatic questions like 'Will Bella be able to save Edward from himself?' and 'Will true love prevail?' have become de rigueur these days. When there are a thousand other stories with the same kind of summary, you can get lost in the crowd. Have a look at what other summaries are out there and try and to avoid some of the more commonly used phrases. It'll make you stand out more.

So what's the moral of the story? Know what story you're trying to tell and think about what readers you want to appeal to. Try to be a little creative and show potential readers a bit of your style - whether it be funny, sexy or deep. You're never going to appeal everyone. But you can make yourself more attractive to the kind of readers who would already be interested in your kind of story.

Epic thanks to everyone who helped me with this article. Particularly those in the LJ comms who answered my questions and especially Duskwatcher and Emavalexis


DameNellie is the author of the one-shot A WellMade Mistake and is currently working on Conversation on War, for the Twilight 25. Check her out. Run, don't walk.

Monday, March 29, 2010

GuestEssay: Greeen Goldfish Shows Us Her Mounds

Is that Pronounced "Cl-ih-shay" or
"Cl-ee-shay"?




Greeen Goldfish





My mission that I misguidedly
chose to accept in agreeing to
write this column, is to discuss
fandom clichés in a way that is
“silly, lighthearted, and not
controversial.”

HA.

I scoff because I know that every
time this topic comes up in discussion in
this fandom, I cringe to next year. Why?
Because I am an author. And I know many
of you are, too. And let’s face it: we’ve all done it. We’ve all succumbed to the temptress that is describing Bella’s eyes as “chocolate orbs” or Edward’s as “emerald green.” Or perhaps for you it was having Rosalie release a breath “she didn’t realize she was holding.” Or—holy-mother-of-all-cliches—maybe you mentioned the Kings of Leon. Then you’re REALLY fucked. So how in the fuck am I supposed to talk about clichés in a non-controversial way? Without a bunch of authors getting butthurt?

Now, I am one of those annoying people who does not read very widely in this fandom. Name a fic and I probably haven’t read it. In fact, I was resistant to writing this column at first because I felt woefully underqualified. But then I remembered that I actually DO know all of the fandom clichés because you assholes bitch about them constantly. (And I use the term ‘assholes’ in the most endearing way possible, I assure you.) Also, if you’re an author, this means that you cannot get butthurt because I probably haven’t read your fic, so I’m probably not talking about you! I mean…I guess maybe the people I heard talking about these clichés were talking about you, and then maybe there’s some kind of transitive property involved and you can get butthurt anyway. Since we all know if anyone is going to get butthurt by an attenuated slight that may or may not have been about them, it is twific authors. I KNOW BECAUSE I AM ONE, OK? I’M GETTING BUTTHURT JUST LISTENING TO MYSELF RIGHT NOW.

Sooooo. What can I say that hasn’t already been said? You know what I really want to do? I want to give some examples of cliché-avoidance gone awry. You know what I’m talking about—when an author uses some word or turn of phrase that makes you got ‘WTF?’ so bad that your brain has whiplash. Like when instead of describing Bella’s eyes as chocolate someone describes them as “the color of dried mud on a pick up truck after a rowdy night of going muddin’.” (I totes made that one up, guise, OK? And PS: I’m copyrighting it.) Those get ridiculed even more than the clichés. Or even more cruelly, perhaps. Or maybe it just seems more cruel because that’s when an author is really going out on a limb and writing something original themselves. Except I can’t talk about these here because—yeah---massive butthurt.

Alright, so I did a poll. Lettuce discuss some of these bad boys. I’m going to start with the smutty ones because we all know those are the lulziest and—let’s be honest—you might lose interest in this column and flounce it before we run through the entire list.

Heated core: By far the best comment made about this one was, “[it] makes me think of...magma or something scientific.” However, this particular commenter and I then got distracted and started talking about Ben and Jerry’s. (I don’t know how that happens.)
Pooling of liquid between thighs: I believe the comment was “OMG. EW.” But the best part about the “pooling liquid” was its counterpart, which I had never heard of….The weeping cock: What? I obviously don’t read enough smut. I would definitely remember this one. I just…I dunno…I picture Romeo whispering sweet nothings to Juliet on the balcony and saying, “My cock—it weeps for you.” But I LOVE this cliché, because after telling me about it, someone directed me to THIS: http://community.livejournal.com/weepingcock/. What is that, you ask? That is a livejournal community dedicated to nothing but quotes from lulzy smut.

Oh shit—I totes shouldn’t have given you that link because now you are all reading about “The Velvet-Sheathed Steel That Proclaimed Him Male” instead of this column.

COME BACK.

Oh hai. Thanks for returning. Now let’s run through a few more real quick:

Slits: This makes me think of paper cuts.

Folds: This makes me think of yeast infections. I don’t know why. I guess because that’s where the yeast grows. TMI? Yeah, I know.

Wet pussies: This one is pretty straightforward. This is where I will say, I don’t really read much smut and I don’t write it, but I kind of admire writers who do. I don’t know how they do it. It has to be pretty difficult. Especially when there’s really NOT many ways to refer to weeping cocks and wet pussies that don’t make people laugh or don’t make the reader got ‘wtf.’ Let’s face it—writing smut is HARD. Which brings us to…


Hard cocks (sometimes they even get impossibly harder): Again, pretty straightforward. Should we really be criticizing? (SPOILER ALERT) That’s what happens. Cocks get hard. Do we really want fanfic authors reaching for alternatives, like “The Velvet-Sheathed Steel That Proclaimed Him Male?” I don’t know. Something to ponder.

Shafts: This one makes me think of elevator shafts. Then I think of that movie Speed. Remember in the beginning they got caught in the elevator shaft? I used to be in love with Keanu Reeves. Before I realized he couldn’t act. But still—Jack Traven’s elevator shaft is always welcome in my wet pussy. Just sayin’.


Mounds: Sometimes you feel like a nut. Sometimes you don’t. Almond Joy’s got nuts. Mounds don’t. (OH MY GOD. I JUST NOW REALIZED HOW FILTHY THAT SLOGAN IS.)

Bundles of nerves: Again, this one seems overly scientific to me. I think of nerve endings. But then I try to imagine a bundle of them, and they somehow look like a bundle of twigs and sticks or some shit…only fleshy. I DON’T KNOW, OK?

Dripping….well just about anything drips, apparently: Sometimes I feel like we could go swimming in a sea of Bella and Edward love juices. They seem to be leaking quite a lot.

…And now I need a shower.

OK, so all of those were describing the actual mechanics of teh sexin’, right? What about when the actual sex act itself is a cliché? Apparently there are quiet a few of you who are sick of:

Butt secks: Maybe you guys are just confusing what you’re sick of in fanfic with what you’re sick of in real life?

Bella losing her virginity: How come Bella’s always the virgin, huh? At least in canon they’re both still virgins. And why the devil do we still care? Is this 1893? Are we writing Dr. Quinn: Medicine Woman fanfic? (I am not going to open the whole can of worms about this being teenagers many people are writing about. PSA: Hold onto your V-cards kids. At least until you’re ready. But when I was 11, I totes woulda given my V-card to Sully. Just sayin’.)

Bella orgasms on command: Fuck, man. If only.

Edward’s 15 inch dick: Fucking ouch, man. Please refer to this:



And what about the non-smutty stuff.

(OMG, I can feel you guys flouncing right now.)


Chocolate orbs: Well at least this makes Bella’s eyes more appetizing to me than her freesia-scented blood. Who the fuck wants to eat freesia, anyway?


Emerald eyes: Is that really the only green thing we can come up with? What about grass? What about Heneiken bottles? What about asparagus? ... OK, maybe we should stick to emerald. (Or maybe it’s a good thing I never try to describe people’s physical features in my fics.)


Letting out a breath you didn't know you were holding: I’ve totes used this one. Worse still—I totes used this one even after I had been in the fandom long enough to know better. Is this one in the books? Where does it come from? I DONUT KNOW.

Bridal style: Dudes, I’ve heard people bitch about this one so much, but I had no idea what it was. I had to ask. I was imagining a really freaky sex position. I was so disappointed when I found out it was just Edward carrying Bella across the threshold.

Chagrin: OK, THIS ONE PISSES ME OFF. JUST BECAUSE SMEYER ABUSED THIS WORD DOESN’T MEAN I SHOULDN’T BE ABLE TO USE IT ONCE EVERY 150K WORDS OR SO. IT IS A PERFECTLY ACCEPTABLE PART OF THE ENGLISH LANGUAGE. SO STEP OFF. (See how butt hurt I can get?) But yeah. Apparently fic authors abuse it, too? Or maybe we just notice it every time we see it because Smeyer abused it so much? Either way, I think it’s intriguing that a word can make the leap like that from canon to fanfiction. Do fanfiction authors not read anything other than the Twilight Saga? Does their vocabulary only extend as far as Smeyer’s? (Don’t answer that.)

Pixie Alice, vibrating Alice, Bella Barbie: Now, are these really annoying because they’re clichés or are they just annoying because they’re annoying? Don’t we all want to punch pixie Alice in her pixie face just a little? Not because she’s common but because she’s a god damn pixie?
Also, authors: there were some things that some readers wanted me to pass along to you. Namely:
  • Denali is a place in Alaska, not a last name. Also, it is not a city. It is a park.

  • It does not snow in Forks in June. (Oh wait, that one was for Smeyer, not you guys.)

  • Port Angeles (and Forks) are not huge urban metropolises with loads of places for Pixie Alice and Bella Barbie to shop and get coffee.

  • Texans do not say ‘darlin’’.

  • Abusive boyfriends are not hot.

  • Most straight men don’t know the difference between Gucci and Prada and certainly don’t describe a Fendi handbag in great detail in their inner monologues when eye fucking a girl.

But, dear authors, here is my advice to you: Don’t sweat it if your fic has a cliché or two. It happens. Also, I find readers complain about things that are canon being cliché a lot, but that’s the whole point of canon, right? You’re never going to please everyone. However, if you take one thing from this column, remember this:

Alien sex is never cliché.

(Now let’s all cross our fingers that the TLYDF ladies are feeling momentarily insane and are actually going to link the ET gif I’m providing.)


MOD EDIT: We love you GG....but Alien Porn on a Monday AM is always cliché.




Friday, March 5, 2010

GuestEssay: Canon Fodder Part 2 with giselle-lx

Canon Fodder: The What, Who, Why and How of Canon Twific: Part 2




giselle-lx



When I tell people I write only
canon, I get one or both of two
incredulous responses:


“Why? Isn’t AH/AU easier?”

and

“How? There are so many restrictions!”



Well, the answers to both those questions are more than a little complex. Last time we met, I was pleased to take you on a tour of the What and the Who of canon Twific—but this time, let’s go a little further down the rabbit hole. I’ve enlisted the help of several intrepid canon writers in talking about the business of what it takes to color inside the lines.

Why Write Canon Anyway? Let’s face it. Yes, we might complain about Stephenie Meyer, and Breaking Dawn, and characterization this that and the other. But in the end, all of us are here because we opened those silly black books, read them cover-to-cover, and kept going. And then we were sufficiently interested to seek out more of the same. In the words of edward-bella-harry-ginny: "The canon story and characters are the backbone of what drew all of us in to fan fiction in the first place." Sometimes hating on Twilight and its canon in general seems to be nothing short of a professional sport around here, but the beauty of reading and writing good canon is that it has the potential to bring us back to the characters and the world that we all originally fell in love with.

Another great reason to stay in canon is that, well, let’s face it, the hating on the saga isn’t completely without merit. A lot was left out of these books, and a lot of characters and situations were left completely unexplored. Remember how at the end of Breaking Dawn, we all suddenly discovered that something had been brewing between Kate and Garrett while we were busy watching Bella be Super Vamp? The first evidence we get that there was anything there is right at the end of the book. Fortunately, one of HMonster4’s Fandom Gives Back auction winners forced her to write that story, and we got “Glaciers as a result. Our canon is absolutely full of moments like that, where Stephenie Meyer just barely hinted at a huge story. We got a lot of our beloved Edward and Bella, but a lot of other people went completely unexplored. Filling in these holes is pretty richly satisfying for author and reader alike.

Lastly, what about those characters themselves? Canon writing is an absolutely fascinating way to get to know them on a completely new level. To quote Scarlett71177:

Considering what other characters are thinking during pivotal (or even not so crucial moments is a fascinating character study. We always see the Cullens, Wolf Boys, or humans through Bella’s filter, but to cleanse that point of view and allow the true nature of the character to speak is an exciting moment—and a whole new perception of canon!

I won’t lie—I’ve been subject to this myself. In one of my fics, I started with the idea that I really wanted to explore how it was that the Cullens kept this careful subterfuge in the middle of the information age. I realized that the only way this would work would be to have one of the older Cullens talking to the newest Cullen and that meant I was—gulp—going to have to write Renesmee. As it turned out, however, Renesmee was a fascinating character when I saw her through the eyes of her “grandfather,” and my own perception of this crazy character I never wanted in the original saga was changed forever. So want to change your impression of a character? Try jumping into their shoes for a little while.

Canon writers will tell you there are a lot of richly rewarding parts of writing canon, and every one has a slightly different take on what it is that draws her to her canon task.

Scarlett71177, author of Watching Him Fold:

I love finding those little missing moments and wondering, “Hmm, what happened there?” Those moments are golden. Researching the canon to ensure you aren’t altering the future is really fun too.

BlondieAKARobin, author of Dark Side of the Moon:

Bella saw only part of the picture, and I love figuring out how what she saw or experienced can be twisted when seen from a different perspective. She’s a cool character, but her story’s been written—what about the others?

Gleena, author of The Cold War:

[Part of the fun] is playing with the characters—not versions of the characters in a new setting….T]here is the question of exactly how far can I take this?

How, Now?

So for the sake of my ego, I’m going to pretend that now that you’ve read the whys of canon Twific, you’re chomping at the bit to know the second half of that question—“giselle,” you’re saying, “unlock the mysteries! How do we do this amazing canon writing thing?” Well, the great thing is, it’s actually a lot easier and a lot more fun than it may look from the outside. Or I may be the world’s biggest geek. You can be the judge. But here are the keys of writing canon Twific, verified not only by me, but by a whole contingent of the canon writers…

The Canon

BlondieAKARobin, author of Dark Side of the Moon:

Read, read, read. Read all the books. Read Midnight Sun and all the outtakes and extras and FAQs posted on SM’s website. Read all the personal correspondence posted on twilightlexicon. Be very sure that what you’re reading is from SM and not another source. There’s a lot out there and it’s all really interesting, but if you’re going to write canon, you have to have your facts straight before anything else.

Critical part #1 is always your canon research. This starts with the books—know them backwards and forwards, and be ready to look things up. Many people who end up on twitter or chat with me know that they can ask me a canon question and chances are the answer will be, “I’m pretty sure I have a post-it note on the passage that would help with that.” Not only does this help with the writing, but it also helps with the story planning—inevitably, you’ll see holes open that are just begging for something to be written to explain them, be it a missing-moment, or a piece of missing backstory, or simply a character motivation that you feel needs shoring up.

That said, there are a LOT of ways to get good facility with the books without having to read them all cover-to-cover again. The easiest is the Twilight Lexicon, which provides summaries for each of the chapters of the four books. TL is the canon-writers’ bible and contains a huge amount of information culled directly from the books and from private correspondences and interviews with Stephenie Meyer. Want to know the floorplan of the Cullens’ house? It’s there. Background on the wolfpack? It’s there. The denomination of church that Angela’s father preaches in? It’s there. The Lex is a pretty easy place to get lost if you enjoy this kind of thing, but it’s also a one-stop-shop for finding a lot of information extremely quickly. It also contains a critical piece for anyone writing canon that overlaps the books—the timeline of events, starting from 2,000 B.C. and the birth of the Volturi.

A second place to look for help on canon research are the Twilighted Forums. You may have visited there before to talk about your favorite fics and, while there, noticed a section of forums called “Books.” Pop in there and post a question—chances are good you’ll get directed to the right information and perhaps even to a fic or two that discuss a similar issue. While you’re at it, don’t overlook the “Find a fic” forum—these can be a great place to get ideas to incorporate “fanon,” that is, fan-created “canon,” those backstories and explanations and little details that stem from fic and not from the canon but which can become part of the fandom’s knowledge of a character through repetition. See a cool idea that someone else came up with? Shoot them a PM and cite them in your fic.

The Characters

edward-bella-harry-ginny:

Know the stories, know the characters….Have fun, and don’t press something that doesn’t seem to fit in any situation or character.

Researching the characters can be a little less straightforward. How exactly do you give voice to, say, Alice, when all we have is a bit of her from Bella’s point of view, and a tiny bit from Edward’s and Jake’s? In this instance, it can be helpful to pick up on other authors’ treatments of the character both for things you want to incorporate and for things you might want to treat a little differently in your own version. Know the character’s backstory backwards and forwards, and be ready to think about the ways their history have shaped them as characters. I personally spend a LOT of time dwelling on what growing up in the seventeenth century as the motherless son of a zealous preacher would do to a person. Think about what kinds of mistakes the POV characters we have might be making with that character—is Edward’s assessment of Rosalie’s vanity actually accurate, or is there more behind the curtain? What is it about Emmett that makes him seem like a loveable goofball to Bella? Answering these questions goes a long way towards writing a piece centered on a canon character who wasn’t central to the original saga.

The Lexicon can be a great help here, too, as can some of the extras on Stephenie Meyer’s website. Planning to write Jacob? Check out Being Jacob Black, the definitive source from the author on all things Jake. Or try Gleena,’s route:

I re-read sections of the original saga to get each character’s “voice” in my head. Some voices are harder than others because there isn’t much original material on them (Carlisle’s internal monologue is hard, for example). These “blind spots” in the saga are perfect for a canon story which explores new territory.

Whatever route you take, it is potentially more important in canon to think about the characters than in other genres. In order to write a canon story that draws your reader in, you need to be able to both show her that the character is the same that she knows from canon, but also that the character has a side that only you can reveal.

The History

xaipre:
Where else can you throw together a 17th century witch-hunter, a civil war veteran, and a Yankee concert pianist?

Yes, I hear you. “Oh, give me a break, g. This isn’t school.” You’re very right. on the other hand, writing believable canon characters who range in age from sixteen to three millennia means that occasionally, you’re going to have to grapple with a little history. So this is why you’re going to get my quick and dirty guide to making it look like you know what you’re talking about when you dive into the varied histories of the canon characters.

Wikipedia. Wikipedia is a great source…for sources. Yes, go there to find out what they called a bar of soap in 1921 (“a cake”), and a brief history of the US railroad. But when you really want the goods? Don’t look at the article, look at the websites that article cites. Many times you’ll find links to museums, universities, historical societies—dozens and dozens of places to get the kind of everyday life details you need to believably portray the histories of your characters. Bonus: for those of you still in some level of school, this same technique works well for identifying credible web sources for papers.

Google Scholar. Google is awesome, but as Microsoft loves to point out, you get a lot of random results along with your good ones. Head over to Scholar to access real academic articles on whatever topic you’re searching for. Many times you’ll be able to find the information you need in an excerpt or abstract even if you can’t access the full article or book. For those of you with access to a university library, it gets even better—under Scholar Preferences you can set it to use your university’s library to access documents, and Scholar will highlight the articles your library can give you access to.

The Real Library. There’s a place where you can go to get things to read for free…and it’s not FFnet. Your actual library will give you access to a bunch of books on bizarre topics that you might need if you’re hoping to successfully pull off having been put in an asylum in the nineteen-tens. Now, I’m the kind of total dork who thinks a 200-page book like Popular Culture in Seventeenth Century England is great bedtime reading, but should you happen to be, well, more normal, I’ll let you in on a shortcut—try the children’s book section. You’ll often find the history drilled down for you in a fast, easy format. An added plus? The quirky factoids these books point out in order to be interesting to their young audiences are exactly the kinds of things that make a fic come to life.

Ready, Set, Go.

You’ve got your research. You’ve got your character. You’re ready to go. But before you set off, I throw the same question that gets slung at me back at you—why? What is it about this story, this character, this missing moment or extension, that makes what you’re going to write compelling? Once you know that, and have dive…you’re set for canon. If you’ll forgive me the pun, fire away.

The Gauntlet

So, what good is me telling you how to do this, if there’s no good opportunity to try it? Well, are you ready for a challenge? I, and other writers of canon, dare you. We want more canon in the fandom! On Saint Patrick’s Day, we’ll start accepting 1,500-8,000 word fics for the Canon Fodder Challenge. The only stipulation? We want NEW canon writers! You can’t have more than one canon fic posted already (and if you fall into this category—come help judge!). That’s right. Been waiting for the right chance to try your hand at some canon? This is it. We’d love to see you there. Good luck!

Thursday, February 11, 2010

GuestEssay: Canon Fodder Part 1 with giselle-lx


Canon Fodder: The What, Who, Why and How of Canon Twific: Part 1

giselle-lx


“What do you prefer? Canon, or non-canon?”

I cringe when I see this question. Why? Not because I’m worried about what might come of such a discussion or because I’m afraid of being judged as an author who more or less writes canon fic. As skins go, I’ve got a thick one and I put it to good use whenever possible.

No, what makes me cringe is that this question, phrased this way, is almost invariably not about canon fic at all. It generally refers to pairings—do you prefer Edward/Bella only, or is it okay for the occasional Bella/Jasper to creep into your world? Nearly everyone who answers this question will read it as such, and perhaps one poor confused (but actually spot-on) soul will pipe up about their preferences for fic genre: canon vs. AU.

Why has this happened? One issue we seem to run into a lot in this fandom is the use of the word “AU” to encapsulate anything that is non-AH. Typically, though “AU” is used to differentiate fics which keep the canon world but alter its circumstances—“AU” in this sense is an opposite to “canon.” It’s no secret that in our fandom, the all-human genre is still king, and probably will remain so until the fandom dies.
BlondieAKARobin
, author of
Dark Side of the Moon
has some comments on why:
I think it’s the nature of the story, actually. Twilight is, at its heart, a romance. The who and the where and the how (vampires, wolves or humans) don’t really matter. The core of the story is the very simply star-crossed lovers who have to get over monumental hurdles to be together.

Just about everyone loves a good romance staring our favorite Edward Cullen, and where he is or who he is largely doesn’t matter, as long as we can connect to him and re-experience the thrill of reading his romance to Bella Swan once again. But while AH and AU may reign supreme for their ability to put us back in that heart-thudding, swept-of-our-feet courtship, what can get overlooked is the power of the Twilight world itself to drive an equally compelling story—a story told in pure canon.

The One-N Only Canon



First, let’s make sure we’ve got the terminology straight. There is no such thing as “cannon” fan fiction, unless perhaps you’re writing in the Pirates of the Caribbean fandom. I know, I know, you think this is just a grammarian’s nitpick, but bear with me here.

The one-N canon isn’t a word invented by fandom, and understanding its root definition is at the core of understanding how we use it in fic. The dictionary I have most handy (The Oxford Essential Dictionary, American Edition, 1998) gives us two relevant definitions of canon: ‘a general law, rule, principle, or criterion’ and ‘a collection or list of books, etc. accepted as genuine.’

Okay. So with canon, we’re dealing with issues of law and genuineness. This helps us spring forward a bit into the fan fiction definitions of canon.
Wikipedia
gives a pretty straightforward answer:
A canon, in terms of a fictional universe, is a body of material that is considered to be "genuine" or "official", that can be directly referenced as, or as if it were, material produced by the original author or creator of a series.

In Twilight, the definition of canon fic is relatively straightforward (I say relatively because I’ll get into
some of the oddities of it a little later)—the four books, the plots therein, and the timeline established by them set the parameters that a canon fic needs to comply with. In this respect, we’re actually in a great position in Twific with regards to canon. Our canon was laid out for us, in its entirety, in four books which were published relatively quickly. Unlike some fandoms where the creation of the canon is spread out, for example long-running TV series, or Harry Potter, where the canon was released over the course of a decade, most of us knew the entire arc of the canon story going in to the process of writing fic.

This may, of course be why it is a less popular genre in this fandom than in others—there is not as much room to experiment with the “maybe,” seeing as we’ve already got all of the “what.” Nevertheless, there’s still a LOT of room to play while writing a fic which adheres to the canon, and the ability to play with the canon and stretch its bounds a little bit is often the source of the fun.

xaipre
, author of “
Impromptus

[J]ust about any story can be told within the Twilight-canon universe. You just have to tell stories *differently* with fantasy vampires than you do with real-life humans.


I’m Not Jossing You: What Makes a Fic Canon?



So where is the line? At what point is a “vamp AU” actually a canon-compliant fic?

The simplest answer is that if the fic alters anything from the canon, then it moves into AU. But then the question must be asked, what exactly are we considering as the canon, and what defines an alteration? I’ll be the first to tell you it’s slippery, but there are certainly things which mark canon as canon. So come slide down the slope—we’ll start with the clearest-cut and move to the foggiest.

Bella Who?—Alternate POV



One of the most recognizable type of canon fic is the alternate POV fic—where the narrator is swapped out for some other character. Frequently this character is Edward, because who wouldn’t want a little more of our beloved Edward? Some examples here might be
Thy Beauty
by
Subtlynice
and
Dark Side of the Moon
by
BlondieAKARobin
,
for book 2,
Edward’s Eclipse
by
Vixen1836
for book 3, and
Metamorphosis
by
LivesAmongTheStars
for Book 4. Other characters can be useful for these POV switches as well, however—a great example of this is
Luniere
,
siDEADde’s
retelling of book 1 in Alice’s point of view. The hallmarks of an alt-POV are often re-tellings of scenes that we saw in the books, complete with canon dialogue and events. It’s pretty straightforward to identify these fics as being canon—they make it abundantly clear from their format that they are following the books.

I often hear from people who enjoy the genre of OOC fic that re-characterizing Edward and co. allows them to connect with the characters in their own way. However, similar sentiments are often expressed by writers of canon Alt-POV:

Justine Lark
, author of “
Sunshine State
” and “
Bonfire

I enjoy writing canon because writing about Edward or expressing his thoughts and feelings in his POV….In my own mind, I’m so attached to him and identified with him that I think that Stephenie writes him out of character sometimes!

Eventually, though, when you’re in another character’s head during the span of the books something else will need to be shown. So this leads us to:

She Left This Part Out!—Missing Moments



Emilie Fauve
, author of
In My Power

It’s like filling in the middle bit of a puzzle, but with your own, hand-drawn image. And then, when it’s all completed, you see how the edges of your artwork line up with the “edge” pieces.

Many canon writers, myself included, will tell you this is how they got their start—by seeing an opening, as it were, in the canon itself and writing to fill it.
Scarlett71177’
s one-shot,
“Playing Footsie,”
was recced to me by a number of people as a wonderful exploration of a tender B/E moment.
xaipre
’s
“Most Dangerous Predator”
imagines an important conversation between Carlisle and Bella before her change.

Often missing moments are one-shots or a series of one-shots, plugging small holes in the canon. But it’s also possible to run a multi-chapter missing moment fic. One that stands out in its creativity is “
Sunshine State
” by
Justine Lark
, which takes on Bella and Edward’s weekend in Jacksonville in Eclipse.

What makes a missing moment canon, when we have nothing to go on from the books? One is consistent characterization. In the fics mentioned above, the characters keep the personalities we know from canon, and typically, this is what the author relies upon in choosing what will happen with the missing moment(s). In addition they don’t contradict the events in the books. That means that if Edward mentions that he was hit by a flying squirrel while he and Jasper were hunting, and the hunt is the missing moment? Well, then, bring on the flying squirrel.

But missing-moment fics may often tend to be short, by their very natures. What if you want to tell an epic story?

Who’s Your Daddy?—Backstory, Side-story, and Future



This is probably where our canon, in particular, gives a writer the most freedom. We really do have sort of a neat closed little package, with some hints of guiderails from Meyer about what may have happened to the characters. But there’s lots and lots of room for writers to fill in the gaps.

As of late, I’ve stumbled across some great new-ish backstories on Alice (
Mary, Full of Grace
, by
Elise Montgomery
),
and Jane (
Becoming Jane
by
LoreilD
). In these, as in all good backstory fics, the authors fill in what we know from canon, while giving us a path that helps explain how the characters got to be where they are.

The canon couples, likewise, are good sites for exploration—just how did Carlisle and Esme fall in love? You might try
EliseShaw’s
No Longer Alone
. Jasper and Alice?
You’ve Kept Me Waiting
, by
Mandi1
.

Another place ripe for canon creation are side stories, filling in the gaps of the characters who danced on the periphery of our star-crossed lovers’ story. And there were a LOT of them. The other kids at school? The wolf pack? All rife for side-story, all canon.

The last part of adding on to the canon proper is—gulp—the future. Although it may seem BD was pretty tied-up, some very fascinating stories can come out of the future of the canon—ones which provide great insight into what the Cullens look like after the “happily ever after” (and which may forever change your perspective on the-baby-who-should-not-have-been-named). There are a number of these, so I will recommend one short fic and two authors to check out:
“5 Times Renesmee Threw a Tempter Tantrum”
by
FictionInReality
, and a number of the one-shots by
Justine Lark
and
Gleena
. Future stories have no way to cling to canon for content, and so they stay canon through recognizable characterization alone. For this reason future fics are a great way to continue hanging out with the characters you loved all through the saga.

You Aren’t Who I Thought You Were—Canon as a Lie



Now, this is where I admit to being a little further out of my league, if for no other reason than given the general low numbers of people attempting of canon fic in this fandom, this particular
type of canon, which is a rarer type to begin with, is particularly scarce. Being a good academic, I site my sources and influences, in this case
minisinoo
, whose experience in fandoms far outweighs my own.

It is possible to write a canon story which presumes that part of the canon was a lie, or at least, which plays with things which were implied in the canon. For all intents, this is the most difficult type of canon to write, because it requires that the author build the story in such a way that the same canon which implied Situation A actually justifies Situation B.
“Beauty, Shining in Company”
by
minisinoo
has an unorthodox answer to the question of how Edward could be so sure he would love Bella even if she grew old.
“For My Own”
by
Strider
gives us a glimpse at exactly what Carlisle meant when he said, “We’ve all slipped” at that fateful dinner table conversation in Midnight Sun.

Now, opinions on this type of canon are going to vary widely, and you may very well disagree with me on calling these canon at all. But what makes them work is the narrow view we got in canon—everything coming through Bella, who thinks Edward can do absolutely no wrong. There’s actually a LOT of room there to suggest that perhaps she or Edward misinterpreted—but it must be done with care.

Jossing and Tossing



The last thing I’d like to touch on is one that is largely not a problem for our fandom—“jossed” fics, or fics which have become AU by further additions to the canon. (Yes, the term comes from Joss Whedon, who did this to his fic writers a lot.) As strange as it may seem to some of us, myself included, who hit the fandom well after the fourth book was released, there are a
still a large number of fics written prior to the finishing of the canon, and which, while canon future fics at the time, are now “jossed” canon.
First Light
, by
BlondieAKARobin
is a perfectly in-canon look at what Bella and Edward’s Happily Ever After might have looked like, before Stephenie Meyer stepped in with her own version.
Heatwave
by
Ruby Wednesday
lets Edward and Bella have some fun pre-BD. Such fics are generally considered to still be canon, as it’s not the author’s fault that the real author stepped in and screwed them up!

Finally, we are in an increasingly-common situation in our fandom whereby the author herself has added to the canon with extra snippets, a half-draft of a POV-switch novel, and interviews galore. There is a lot of cross-fandom debate as to whether these things can and should be considered when evaluating any given work, and there are loud camps on both sides of the debate. My not-so-humble advice on this front is—if it violates the books, you’re in AU territory. If it violates the extras…well, explain why you chose not to use them (sometimes SM’s interviews contradict the books, and that’s a great reason to throw those out).

Whew! It’s a lot to take in, right? Well, I hope it’s been an enjoyable journey through the “what” and the “who” of canon Twific, and gives some sense of how you can ferret out some good canon. Stay tuned for part II: why you might want to try writing it (gulp!) and how to go about doing so. In closing, I’ll leave you with a little bit of the why, from
edward-bella-harry-ginny:

Canon writing is a great way to stay connected to the story we love and fill in what these beloved characters continue to do, even after Breaking Dawn.

Because we did fall in love with a sparkly vampire, after all.

The author would like to thank
BlondieAKARobin
,
edward-bella-harry-ginny,
Emilie Fauve
,
EliseShaw
,
Gleena
,
Justine Lark
, and
xaipre
for their contributions to this article.

Wednesday, January 27, 2010

CharacterExploration: Men of the Volturi by LoreliD

The Men of the Volturi

By:
LoreliD

If Twilight took place a long time ago in a galaxy far, far away, I am absolutely convinced that the Volturi would have joined up with that Emperor guy. Jane and Alec would be locked in an epic, twisted battle with Darth Vader over who could Jedi mind-fuck the other with more finesse. Aro and the Emperor would sit companionably, sipping on the blood of a virgin and chamomile tea respectively, while they discussed the endless advantages of a Volturi Guard turned Sith. Place a light saber in the hands of Felix and Demetri and the Rebellion wouldn’t have a hope, because let’s face it, evil usually wins. Evil is sexy. And good…well…good is dumb.

No, no, I jest. We know that’s not true, but power laced with evil is kinda hot. Deep down we can’t deny the allure of a man who can command others, his bidding readily and happily executed without question…ever. Who can resist a man who can solve problems and make it look effortless? A man who knows he has talents and, much more importantly, knows how to use them. Think Mr. Fitzwilliam Darcy, Captain Rhett Butler, and even the devoted and protective Edward Cullen. Or consider the darker, more sinister variation, like Bronte’s Heathcliff. Perhaps a stalkerish and domineering Edward Cullen might be more to your liking. Regardless, they had a goal, either to protect the one they loved, or to turn that love into a possession. That’s the thing with powerful men - they go after what they want, and you just hope you are the lucky object of their desire.

The men of the Volturi are such men…vampires…whatever. With their immense wealth and a reputation carefully crafted and protected over three millennia, they have the means and power to achieve just about anything. The only thing they haven’t been able to acquire it seems, is a devoted fanfic audience. Here’s hoping we can change that. To do so, we need to see who they are in the series, and Stephenie didn’t give us a whole lot to work with in that regard. In my opinion, that is a blessing because it gives us authors a big, beautifully blank page to work with. Something we can really get our hands dirty molding and shaping as we create a history for these dark and seductively powerful characters.


The Nighttime Patrons of the Arts - What's With the Robes Anyway?

original art credits: “The Volturi”

From their castle in Volterra, the Volturi Ancients quietly rule (I imagine they would prefer the word govern) the Vampire world unchallenged, secure in the knowledge that the laws, and their reputation of enforcing them, are enough to keep them in power. Edward calls them the Ancients, and the nickname alone inspires a vast swirl of historical pageantry to sweep through my mind like a Texas twister. Three thousand years of human history the Ancients have been witness to, and undoubtedly played some part in. Seriously people, the plot possibilities here are endless. The Ancients have seen the fall of Rome, the glory that was Ancient Egypt, the Crusades, the onslaught of the Black Death and the discovery of the New World, each with a different set of eyes and a unique perspective, which makes endless fic fodder for those willing to take them on.

Aro
When we are introduced to the Volturi inner-circle-of-not-so-much-trust in New Moon, Aro clearly stands out as the overly enthusiastic and utterly manipulative Don Volturi. He conducts those around him as a Maestro would his orchestra, and enjoys himself thoroughly as he has them play whatever dark little symphony he has already composed for them. Officially, he is the spokesperson for the Volturi council, but it is soon apparent that his role goes much further. His gift makes him perfectly suited to be the intermediary between the loyal and the disloyal alike.

Under the pretense of upholding the law, he ascertains the truth, as only he can, then pretends to confer with Marcus and Caius as to what shall be done. It seems apparent that he asks their opinion only out of convention and courtesy rather than any real regard for their opinion. After all, Aro would have already decided the fate of the poor, groveling soul upon touching him, which is exactly what makes his gift downright frightening. One errant subconscious thought and you are convicted and sentenced before you can say “welcome, tourists.” His gift guarantees obedience as lying to him is impossible, unless you happen to be that one incredibly confounding brunette girl. He is revered by many (Jane), and loathed by some (Caius), but feared by all, otherwise he’ll sic his little pet on you, and she will happily and eagerly acquiesce to make you suffer.

Oh and he’s mated. Forgot about that, huh? That’s because we hear virtually nothing about his wife, Sulpicia throughout the series (another hint, gentle readers/writers.) He’s also a great strategist, and it wouldn’t surprise me in the least if he learned the art of war from Julius Cesar himself. He is always looking for an opportunity to strengthen the Volturi coven whilst gaining resources. He is described by Bella as a collector, a collector of gifted vamps and apparently …jewelry? Trinkets to woo his subjects into submissive loyalty, I suppose. He also knows every corner of the mind, all its hidden secrets and its most fervent wishes. He could fulfill your heart’s every desire without you ever having to ask. That almost cancels out the onion skin in my book. In short, Aro is the man with the plan, and a horridly out of control God complex.

Caius
Caius would be Count Dooku in my Twi-Wars universe. Grumpy and eternally annoyed by Aro’s never-ending simpering, it seems he is eager for provocation, and equally eager to dole out his version of justice. Perhaps he’s bitter that he is eternally Aro’s sidekick and resentful he has no special gift to usurp him with.

Of the three Ancients, he is the least developed in the series and the most difficult to understand. Oh, and he’s mated too, to Athenodora.

Athenowho?
Exactly.

Marcus
We know that Marcus's gift is for seeing the strength of the relationships of those around him, but did you know that Aro's desire to keep Marcus and his gift close to him resulted in a drama fest that could rival Day of Our Lives?

It all happened many, many centuries ago. Back in the day, Marcus was happily mated to Aro’s lovely sister, Didyme. She radiated so much happiness that she drew people to her; this was her vampiric gift. Like so many others, Marcus fell in love with her and she returned his affections. They loved each other so much that as time passed they didn’t care about Aro’s silly evil plans anymore. They resolved that they would be his instruments of evil no longer and began to plot their escape. I like to imagine them happily frolicking though a Tuscan field dotted with red Papavero poppies, sparkling brilliantly and flipping Aro the bird.

But what did the ever ambitious Aro do when he realized he might be losing Marcus to true love? He offed his own sister, who had the less powerful gift of the two, and kept Marcus and his gift for himself. Obviously.

Marcus never found out that Aro was the killer. His zombie-like indifference to everything is a result of his eternal grieving for his beloved, Didyme. He remains with the Volturi mostly due to Chelsea’s influence, and goes through the motions of an endless eternity with apathetic impatience.

Alec
The other half of the gifted witch twins, Alec and Jane are obviously close. He welcomes her lovingly upon her return in NM when she brings Edward, Alice and Bella for their audience with the Ancients. He comforts her with reassuring protectiveness in BD when Bella’s shield renders Jane’s burning gift useless. His gift is more frightening than Jane’s in many ways, depriving his victim of all their senses, sight, sound, scent, everything. Really effing scary if you’re in a fight with the guy. He is one of Aro’s most prized possessions and aside from the fact that he was saved from burning at the stake with Jane, his history is a huge blank page just begging to be written.

Demetri
To be an excellent tracker, you would have to be cold, calculating, merciless and relentless, hunting your target as an assassin would. Demetri is feared by Edward and Alice even more than Alec or Jane. At least they represent a relatively quick death. Demetri’s gift promises the accused an eternity of running in a world that is only so big with hiding places that are quickly exhausted. Demetri would find you should you ever get away… you naughty girl, you. His complete disregard for humans is frighteningly apparent when he requests that Heidi "save a few" for him, few of course being tourists. Poor souls who would be the last die, after witnessing the manner of their end and seeing Demetri coming for them. *Shudders with creepiness*

Felix
It seems natural to me that if you were the biggest badass vamp in the biggest badass vamp army in the world, you’d be one cocky son of a bitch. Meet Felix, the undisputed goon of the Volturi guard. His flirtatious banter with Bella is endearing in a creepy way, and I have the distinct feeling that if Emmett ever turned to the Dark Side, he and Felix would be the vampire equivalent of the Weasley twins. Felix could toss you around the bedroom and make you his bitch like no other, before making a snack out of you. And why is that hot again? I'm not exactly sure and I don't exactly care, it just is.


Finding Darkness in the Light:
The Voluturi Men in FanFic

Finding good Volturi fics is, I imagine, akin to combing the world for your singer. In preparation for this piece, I spent an evening (well, several actually) searching the one hundred and twenty five thousand Twilight stories on fanfiction.net by character. A search for Aro yielded 15 pages of summaries for what turned out to be mostly drabbles. Searches for Alec, Demetri and Felix yielded similar results. Very few cast any the Volturi men as a main character, as most have some connection to Edward and Bella. If they are cast as the focus, they are paired with introduced characters or are used as pawns for PWP. Needless to say the pickings were slim, very slim. Finding fics to rec was nothing short of excruciating. I want to say here and now that its not only possible that I may have overlooked some amazing stories, but it's probable. The reason being as I said, it really was like the proverbial evil needle in the haystack. So please PM me on ffn and I will add your awesome recs to the Volturi Fic community I created.

I'd like ot begin with a story that explores the idea I mentioned earlier. In her little gem of a one shot called An Unnatural Life, Starshinedown touches on the historical vastness that Aro has witnessed. With an amazing eloquence and an obvious knowledge of antiquity and Greek mythology, she transports us to another time, eons ago.

He (Aro) spent the better part of the century traveling across the Egyptian kingdom and the Phoenician ports and cities along the north African coast. To his great disappointment, the people on this side of the Mediterranean tasted much like the people he'd been hunting on the other side. What he did gain appreciation for, however, was the scale in which the Pharaohs thought: the size of the pyramids and monuments appealed to him. Why build small when you could tell all the world of your wealth and power?

Why indeed? It’s easy to imagine that seeing the evolution of history and human civilization would teach Aro and the Ancients how to avoid the collapse of their own empire over the millennia. Walk softly and carry a big stick, or in this case, an invincible blood lusting army of the undead.


HMonster4's The Power to Be had me crying within the first few paragraphs (for which I was promptly called a cream puff by the author, I'll have you know). I can't say too much without giving the completely engrossing plot away, but suffice to say it was heart wrenching. Her characterizations of the Volturi were very much in canon, and HMonster gave us a glimpse of Marcus's background, showing us a surprising sympathy we might never expect from him. Aro is politely manipulative and ever intent on acquisition, and I love her characterization of crotchety Caius banging his staff on the stone floor like an ill tempered old man. Fair warning, no real happy ending here (for which I clap enthusiastically).

letmesign crafted a deep and heart-rendering story with a unique premise that stood out from the rest. In Marble and Mahogany Bella is a vamp, and has spent the first 60 years of her life as little more than a slave to the Volturi, her gift treated as a possession on its own apart from Bella herself. We see her treated cruelly, abused repeatedly before finally freeing herself from the fear that keeps her shackled to her past and unable to move forward. The Volturi play a supporting role in this fic, but a very important one as Edward and the Cullens try to help Bella heal.

Stregoni Benefici by giselle_lx hasn't begun to post yet, but I'm so very anxiously awaiting its beginning. In Stregoni Benefici, giselle_lx will examine Carlisle's early life and obviously the Volturi had a great influence over him, and perhaps he over them. She hopes to begin posting in February but gave TLYDF a sneak peek with her summary:

Carlisle Cullen has always been different—a frustrating son to a distant father; an enigma to the rulers of his world. But when he faces the biggest decision of his immortal life, he’s forced to grapple with the moments that have shaped him most. When you've lived your whole life among killers, what kind of man do you choose to become?



What’s missing?

As I read the past character explorations, I noticed that many of our other favorite secondary characters seem to be suffering from a lack of development in fic. Although it makes me sad, it isn’t surprising in the least. We are all here because of our love for Edward and Bella, certainly not for the bad guys that show up briefly at the end of the last three novels.

The Volturi are sprinkled here and there throughout the one hundred and twenty five thousand Twilight fics on fanfiction.net, but to find them, you have to dig, and dig deep. For the most part, the Volturi are in the background with the stories focusing on some connection to Edward and or Bella. Jane and Aro get the majority of attention by authors, possibly because out of all the Volturi, they were the most developed in the series. Felix and Demetri seem to continually be fodder for pwp, and Alec gets hardly any love at all. I was determined to find out why this was the case, so I posted on Edwardville and asked the members what they thought about the Volturi.

Where's the love?

There are various reasons, but one seemed to stand out first and foremost.

regina__falangi told it like it is

With the Volturi comes a distinct lack of Edward, and people love reading about Edward.

'Nuff said. There's really no need to elaborate, is there? I didn't think so, so let's be moving on...

hexumhunnie311 shared this thought

I think it might be because the Volturi are essentially secondary characters, we don't get much of a back story for anyone, AND they are the bad guys... I just think that fact scares people away from having them be the focus of their stories.

They are certainly secondary, after all Stephenie Meyer had to keep the novels within a reasonable length, so that we could all carry our copies with us everywhere. They are bad guys, and, as much as it pains me to admit it, bad guys, no matter how hot they are never get as much love as good guys.


I think jennylynnfs sentiment below mirrors the feelings of many readers.

I admit that when I read Twilight ff, I'm of a singular mind. I have to have some kind of B/E stuff in it. I do like the Volturi. I am intrigued by them and think their story would be interesting, but if I had a choice, I probably wouldn't choose to read it because there's no Bella and Edward in it.

I can certainly understand this perspective. We like-a the romance-a, that is sorta the point of Twilight. I propose however, that there may come a time when readers may want to read something different. Something beyond Edward and Bella, but I'll get to that in a second.
fiorelina said:

They lack a romantic and sexual dynamic. They're too old, too young or actually, ugh, related.

This comment fascinated me, because I totally get that. The Ancients are old and onion skinned and filmy eyed and rather…eww. Yet, I see potential for that missing dynamic to be created in the hands of an experienced and seasoned author using the remaining, younger Volturi characters.

Anonymous EV'er said

I've never read a fic that the characters of the Volturi are the main one. It's a shame. I want to read a non-Edward and Bella story.

starshinedown elaborated on the idea of craving something new,

I've occasionally looked for
Volturi fics--when I first started reading Twi fanfic and got past the urge to read all about Edward and Bella all the time, I looked around, but at the time all I found were stories that weren’t so great. So I stopped looking.

See? The desire to read something beyond Bella and Edward really does exist in the fandom, they just want something to read. So please to be getting on that, m'kay? *bats eyelashes*

And in the genuine interest of being fair and balanced, nsyfials552 said -

I’ve never really been too interested in the Volturi...they’ve just never really grabbed my attention. Like in the books they didn’t have much screen time, so to speak, and I felt like they fulfilled their purpose well enough there. So I haven’t been curious about any further explorations of any of them in ff.

We all have our own particular tastes. And that is absolutely fine. Diversity is varh varh pretteh.
So is honesty, thank you all for sharing your thoughts and letting me use them so I had something more to talk about in the sparse Volturi piece.



Conclusion
I'd like to leave you with the following thought to ponder in the hope of swaying a few of you over to the Dark Side with me. The fact is we love bad boys. Even if you don't think you do, I'll bet you have at least one favorite fic where Domward, Possesiveward, Darkward, or drug-using Rockstarward has a starring role. Although Edward is a bad boy in the series, in the fandom we seem to love making him naughtier. He's not bad enough, and the various Badwards have a HUGE following. So I pose this challenge: why not take the readymade bad guys Stephenie gave us, give them a hint of good guy qualities and take them out for a spin? Perhaps, if we knew them better, if we understood where they came from and what kind of people they were before they turned all scary bad ass, we could identify with them. We could care about them. We could want them to toss us around the bedroom in true Domward fashion. So, bust out the quills ladies and gents, and do your worst. I triple dog dare you.


LoreliD is a diehard geek who fervently wishes that Apple would hurry up and invent the damn Holodeck already so she can live out her Edward fantasies. She has a bizarre and increasingly worrisome fixation with Jane; someone may need to help her soon. She is the author of Becoming Jane and Deceptive Little Flower. She also co-authored I'll Be Seeing You and its sequel, My Girl Friday with the amazing LightStarDusting.

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